Ikarusprojekt
Poll: Country's Optimism Swells As Obama Takes Oath
Source: USA TODAY
Publication date: 2009-01-22
WASHINGTON -- President Obama's inauguration has given a recession-battered nation a boost. By nearly 6-1, those surveyed Tuesday in a USA TODAY/Gallup Poll say Obama's inauguration has made them feel more hopeful about the next four years, a far more positive response than the one President Bush's swearing-in prompted in 2005.
In the new poll, 62% say they feel more hopeful, 11% less hopeful.
Four years ago, Americans felt more hopeful by less than 2-1, 43%-25%.
The wave of good feeling can give Obama clout with Congress and breathing space with the public, says James Pfiffner of George Mason University, author of The Modern Presidency.
"We're in a big mess, but if we're going to trust this big mess to anybody, this guy exudes confidence and competence," Pfiffner says. "Capitol Hill is still polarized politically, but members of Congress are sensitive to public opinion. ...
"It's not going to solve problems, but I think it's going to give him a little bit of slack."
The poll of 1,012 adults, taken by land line and cellphone, has a margin of error of +/-3 percentage points.
The public tuned in for Tuesday's festivities: Six in 10 say they watched the inauguration ceremonies as they happened, a 50% jump from 2005. One in five say they watched news reports about it.
Most like what they heard. Forty-six percent rate Obama's inaugural speech as "excellent," almost double the number who said that of Bush's address in 2005. A third, 35%, call Obama's speech "good."
Though Obama has pledged to bring an end to the bitter partisanship that has marked Washington's politics in recent years, the public predictably was divided along party lines about his inauguration.
Among Democrats, 91% say they feel more hopeful; less than 1% say they feel less so. Even among Republicans, more were inclined to feel hopeful than not: 31%-27%.
Women are more likely to say their spirits have been lifted than men, and blacks more than whites. Those who rate the economy as "poor" are among the more optimistic -- presumably in expectation of better times ahead.
(c) Copyright 2009 USA TODAY, a division of Gannett Co. Inc.
By nearly 6-1, those surveyed Tuesday in a USA TODAY/Gallup Poll say Obama's inauguration has made them feel more hopeful about the next four years, a far more positive response than the one President Bush's swearing-in prompted in 2005.
In the new poll, 62% say they feel more hopeful, 11% less hopeful.
Four years ago, Americans felt more hopeful by less than 2-1, 43%-25%.
The wave of good feeling can give Obama clout with Congress and breathing space with the public, says James Pfiffner of George Mason University, author of The Modern Presidency.
"We're in a big mess, but if we're going to trust this big mess to anybody, this guy exudes confidence and competence," Pfiffner says. "Capitol Hill is still polarized politically, but members of Congress are sensitive to public opinion. ...
"It's not going to solve problems, but I think it's going to give him a little bit of slack."
The poll of 1,012 adults, taken by land line and cellphone, has a margin of error of +/-3 percentage points.
The public tuned in for Tuesday's festivities: Six in 10 say they watched the inauguration ceremonies as they happened, a 50% jump from 2005. One in five say they watched news reports about it.
Most like what they heard. Forty-six percent rate Obama's inaugural speech as "excellent," almost double the number who said that of Bush's address in 2005. A third, 35%, call Obama's speech "good."
Though Obama has pledged to bring an end to the bitter partisanship that has marked Washington's politics in recent years, the public predictably was divided along party lines about his inauguration.
Among Democrats, 91% say they feel more hopeful; less than 1% say they feel less so. Even among Republicans, more were inclined to feel hopeful than not: 31%-27%.
Women are more likely to say their spirits have been lifted than men, and blacks more than whites. Those who rate the economy as "poor" are among the more optimistic -- presumably in expectation of better times ahead.
(c) Copyright 2009 USA TODAY, a division of Gannett Co. Inc.
Hipster: The Dead End of Western Civilization
We’ve reached a point in our civilization where counterculture has mutated into a self-obsessed aesthetic vacuum. So while hipsterdom is the end product of all prior countercultures, it’s been stripped of its subversion and originality.
I‘m sipping a scummy pint of cloudy beer in the back of a trendy dive bar turned nightclub in the heart of the city’s heroin district. In front of me stand a gang of hippiesh grunge-punk types, who crowd around each other and collectively scoff at the smoking laws by sneaking puffs of “fuck-you,” reveling in their perceived rebellion as the haggard, staggering staff look on without the slightest concern.The “DJ” is keystroking a selection of MP3s off his MacBook, making a mix that sounds like he took a hatchet to a collection of yesteryear billboard hits, from DMX to Dolly Parton, but mashed up with a jittery techno backbeat.
“So… this is a hipster party?” I ask the girl sitting next to me. She’s wearing big dangling earrings, an American Apparel V-neck tee, non-prescription eyeglasses and an inappropriately warm wool coat.
“Yeah, just look around you, 99 percent of the people here are total hipsters!”
“Are you a hipster?”
“Fuck no,” she says, laughing back the last of her glass before she hops off to the dance floor.
Ever since the Allies bombed the Axis into submission, Western civilization has had a succession of counter-culture movements that have energetically challenged the status quo. Each successive decade of the post-war era has seen it smash social standards, riot and fight to revolutionize every aspect of music, art, government and civil society.
But after punk was plasticized and hip hop lost its impetus for social change, all of the formerly dominant streams of “counter-culture” have merged together. Now, one mutating, trans-Atlantic melting pot of styles, tastes and behavior has come to define the generally indefinable idea of the “Hipster.”
An artificial appropriation of different styles from different eras, the hipster represents the end of Western civilization – a culture lost in the superficiality of its past and unable to create any new meaning. Not only is it unsustainable, it is suicidal. While previous youth movements have challenged the dysfunction and decadence of their elders, today we have the “hipster” – a youth subculture that mirrors the doomed shallowness of mainstream society.
Take a stroll down the street in any major North American or European city and you’ll be sure to see a speckle of fashion-conscious twentysomethings hanging about and sporting a number of predictable stylistic trademarks: skinny jeans, cotton spandex leggings, fixed-gear bikes, vintage flannel, fake eyeglasses and a keffiyeh – initially sported by Jewish students and Western protesters to express solidarity with Palestinians, the keffiyeh has become a completely meaningless hipster cliché fashion accessory.
The American Apparel V-neck shirt, Pabst Blue Ribbon beer and Parliament cigarettes are symbols and icons of working or revolutionary classes that have been appropriated by hipsterdom and drained of meaning. Ten years ago, a man wearing a plain V-neck tee and drinking a Pabst would never be accused of being a trend-follower. But in 2008, such things have become shameless clichés of a class of individuals that seek to escape their own wealth and privilege by immersing themselves in the aesthetic of the working class.
This obsession with “street-cred” reaches its apex of absurdity as hipsters have recently and wholeheartedly adopted the fixed-gear bike as the only acceptable form of transportation – only to have brakes installed on a piece of machinery that is defined by its lack thereof.
Lovers of apathy and irony, hipsters are connected through a global network of blogs and shops that push forth a global vision of fashion-informed aesthetics. Loosely associated with some form of creative output, they attend art parties, take lo-fi pictures with analog cameras, ride their bikes to night clubs and sweat it up at nouveau disco-coke parties. The hipster tends to religiously blog about their daily exploits, usually while leafing through generation-defining magazines like Vice, Another Magazine and Wallpaper. This cursory and stylized lifestyle has made the hipster almost universally loathed.
“These hipster zombies… are the idols of the style pages, the darlings of viral marketers and the marks of predatory real-estate agents,” wrote Christian Lorentzen in a Time Out New York article entitled ‘Why the Hipster Must Die.’ “And they must be buried for cool to be reborn.”
With nothing to defend, uphold or even embrace, the idea of “hipsterdom” is left wide open for attack. And yet, it is this ironic lack of authenticity that has allowed hipsterdom to grow into a global phenomenon that is set to consume the very core of Western counterculture. Most critics make a point of attacking the hipster’s lack of individuality, but it is this stubborn obfuscation that distinguishes them from their predecessors, while allowing hipsterdom to easily blend in and mutate other social movements, sub-cultures and lifestyles.
***
Standing outside an art-party next to a neat row of locked-up fixed-gear bikes, I come across a couple girls who exemplify hipster homogeneity. I ask one of the girls if her being at an art party and wearing fake eyeglasses, leggings and a flannel shirt makes her a hipster.
“I’m not comfortable with that term,” she replies.
Her friend adds, with just a flicker of menace in her eyes, “Yeah, I don’t know, you shouldn’t use that word, it’s just…”
“Offensive?”
“No… it’s just, well… if you don’t know why then you just shouldn’t even use it.”
“Ok, so what are you girls doing tonight after this party?”
“Ummm… We’re going to the after-party.”
***
Gavin McInnes, one of the founders of Vice, who recently left the magazine, is considered to be one of hipsterdom’s primary architects. But, in contrast to the majority of concerned media-types, McInnes, whose “Dos and Don’ts” commentary defined the rules of hipster fashion for over a decade, is more critical of those doing the criticizing.
“I’ve always found that word [“hipster”] is used with such disdain, like it’s always used by chubby bloggers who aren’t getting laid anymore and are bored, and they’re just so mad at these young kids for going out and getting wasted and having fun and being fashionable,” he says. “I’m dubious of these hypotheses because they always smell of an agenda.”
Punks wear their tattered threads and studded leather jackets with honor, priding themselves on their innovative and cheap methods of self-expression and rebellion. B-boys and b-girls announce themselves to anyone within earshot with baggy gear and boomboxes. But it is rare, if not impossible, to find an individual who will proclaim themself a proud hipster. It’s an odd dance of self-identity – adamantly denying your existence while wearing clearly defined symbols that proclaims it.
***
“He’s 17 and he lives for the scene!” a girl whispers in my ear as I sneak a photo of a young kid dancing up against a wall in a dimly lit corner of the after-party. He’s got a flipped-out, do-it-yourself haircut, skin-tight jeans, leather jacket, a vintage punk tee and some popping high tops.
“Shoot me,” he demands, walking up, cigarette in mouth, striking a pose and exhaling. He hits a few different angles with a firmly unimpressed expression and then gets a bit giddy when I show him the results.
“Rad, thanks,” he says, re-focusing on the music and submerging himself back into the sweaty funk of the crowd where he resumes a jittery head bobble with a little bit of a twitch.
The dance floor at a hipster party looks like it should be surrounded by quotation marks. While punk, disco and hip hop all had immersive, intimate and energetic dance styles that liberated the dancer from his/her mental states – be it the head-spinning b-boy or violent thrashings of a live punk show – the hipster has more of a joke dance. A faux shrug shuffle that mocks the very idea of dancing or, at its best, illustrates a non-committal fear of expression typified in a weird twitch/ironic twist. The dancers are too self-aware to let themselves feel any form of liberation; they shuffle along, shrugging themselves into oblivion.
Perhaps the true motivation behind this deliberate nonchalance is an attempt to attract the attention of the ever-present party photographers, who swim through the crowd like neon sharks, flashing little blasts of phosphorescent ecstasy whenever they spot someone worth momentarily immortalizing.
Noticing a few flickers of light splash out from the club bathroom, I peep in only to find one such photographer taking part in an impromptu soft-core porno shoot. Two girls and a guy are taking off their clothes and striking poses for a set of grimy glamour shots. It’s all grins and smirks until another girl pokes her head inside and screeches, “You’re not some club kid in New York in the nineties. This shit is so hipster!” – which sparks a bit of a catfight, causing me to beat a hasty retreat.
In many ways, the lifestyle promoted by hipsterdom is highly ritualized. Many of the party-goers who are subject to the photoblogger’s snapshots no doubt crawl out of bed the next afternoon and immediately re-experience the previous night’s debauchery. Red-eyed and bleary, they sit hunched over their laptops, wading through a sea of similarity to find their own (momentarily) thrilling instant of perfected hipster-ness.
What they may or may not know is that “cool-hunters” will also be skulking the same sites, taking note of how they dress and what they consume. These marketers and party-promoters get paid to co-opt youth culture and then re-sell it back at a profit. In the end, hipsters are sold what they think they invent and are spoon-fed their pre-packaged cultural livelihood.
Hipsterdom is the first “counterculture” to be born under the advertising industry’s microscope, leaving it open to constant manipulation but also forcing its participants to continually shift their interests and affiliations. Less a subculture, the hipster is a consumer group – using their capital to purchase empty authenticity and rebellion. But the moment a trend, band, sound, style or feeling gains too much exposure, it is suddenly looked upon with disdain. Hipsters cannot afford to maintain any cultural loyalties or affiliations for fear they will lose relevance.
An amalgamation of its own history, the youth of the West are left with consuming cool rather that creating it. The cultural zeitgeists of the past have always been sparked by furious indignation and are reactionary movements. But the hipster’s self-involved and isolated maintenance does nothing to feed cultural evolution. Western civilization’s well has run dry. The only way to avoid hitting the colossus of societal failure that looms over the horizon is for the kids to abandon this vain existence and start over.
***
“If you don’t give a damn, we don’t give a fuck!” chants an emcee before his incitements are abruptly cut short when the power plug is pulled and the lights snapped on.
Dawn breaks and the last of the after-after-parties begin to spill into the streets. The hipsters are falling out, rubbing their eyes and scanning the surrounding landscape for the way back from which they came. Some hop on their fixed-gear bikes, some call for cabs, while a few of us hop a fence and cut through the industrial wasteland of a nearby condo development.
The half-built condos tower above us like foreboding monoliths of our yuppie futures. I take a look at one of the girls wearing a bright pink keffiyah and carrying a Polaroid camera and think, “If only we carried rocks instead of cameras, we’d look like revolutionaries.” But instead we ignore the weapons that lie at our feet – oblivious to our own impending demise.
We are a lost generation, desperately clinging to anything that feels real, but too afraid to become it ourselves. We are a defeated generation, resigned to the hypocrisy of those before us, who once sang songs of rebellion and now sell them back to us. We are the last generation, a culmination of all previous things, destroyed by the vapidity that surrounds us. The hipster represents the end of Western civilization – a culture so detached and disconnected that it has stopped giving birth to anything new.
Barack Obama: The Naked Emperor
Obama's predominant mantra has been 'change'. Indeed, his massively-funded, record-breaking campaign was based on that one word - change. This is a technique used by Bill Clinton and many others and it is highly effective because, at any point, the system ensures that most people are not happy with the way life is. So, when you don't like the status quo, 'change' can be a potent message, even if, like Obama, you don't say what it means.
Eyeless in Gaza
The record shows a strong pro-Israeli bias in the BBC’s reporting of the conflict.
On February 29 last year the BBC’s website reported deputy defense minister Matan Vilnai threatening a ‘holocaust’ on Gaza. Headlined “Israel warns of Gaza ‘holocaust,’” the story would undergo nine revisions in the next twelve hours. Before the day was over, the headline would read “Gaza militants ‘risking disaster.’” (The story has since been revised again with an exculpatory note added soft-pedalling Vilnai’s comments). An Israeli threatening ‘holocaust’ may be unpalatable to those who routinely invoke its spectre to deflect criticism from the Jewish state’s criminal behaviour. With the ‘holocaust’ reference redacted, the new headline shifted culpability neatly into the hands of ‘Gaza militants’ instead.
One could argue that the BBC’s radical alteration of the story reflects its susceptibility to the kind of inordinate pressure for which the Israel lobby’s well-oiled flak machine is notorious. But, as I will show in subsequent examples, this story is exceptional only insofar as it reported accurately in the first place something that could bear negatively on Israel’s image. The norm is reflexive self-censorship. To establish evidence of the BBC’s journalistic malpractice one often has to do no more than pick a random sample of news related to the Israel-Palestine conflict currently on its website. In a time of conflict BBC’s coverage invariably tends to the Israeli perspective, and nowhere is this reflected more than in the semantics and framing of its reportage. More so than the quantitative bias – which was meticulously established by the Glasgow University Media Group in their study Bad News from Israel – it is the qualitative tilt that obscures the reality of the situation. This is often achieved by engendering a false parity by stretching the notion of journalistic balance to encompass power, culpability and legitimacy as well. The present conflict is no exception.
“Hamas leader killed in air strike,” reads Thursday’s headline on the BBC website. Notwithstanding the propriety of extrajudicial murder, there are fourteen paragraphs and the obligatory mention of the four dead Israelis before it is revealed that ‘at least nine other people,’ including the assassinated leader’s family were killed in the bombing of his home in the Jabaliya refugee camp. The actual number is sixteen dead, eleven of them children; twelve more wounded, including five children; ten houses destroyed, another twelve damaged. This is a veritable slaughter. Had a Hamas bombing killed or wounded 28 Israeli citizens including 16 children you’d be sure to see endless coverage – of the kind the BBC lavished on the disconsolate illegal settlers in 2005 as they were made to relinquish stolen real estate in Gaza. The BBC’s Mike Sergeant, sitting in Jerusalem, would not concern himself with such sentimentality. There is no further mention of Palestinian civilian deaths. Their tragedy was no more than a sanguine message which Sergeant tells us will ‘be seen as an indication that the Israeli military can target key members of the Hamas leadership.’
“Israel braced for Hamas response,” blared the ominous headline on the next day’s front page. With all references to Hamas in its coverage prefixed with ‘militant’ and invariably accompanied by images of blood and debris, the average viewer is very likely to assume the worst. It transpires that the world’s fourth most powerful military is bracing itself for is merely a citizen’s protest called by Hamas in the Occupied Territories. Further on we learn that Israel has been bombing such ‘targets’ as a mosque and a sleeping family.
The BBC’s next headline on the same day – “Gaza facing ‘critical emergency’” – is an improvement. It quotes Maxwell Gaylard, the UN’s chief aid co-ordinator for the territory, highlighting the magnitude of the humanitarian crisis. Following this is a warning from Oxfam that the situation is getting worse by the day: clean water, fuel and food in short supply, hospitals overwhelmed with casualties, raw sewage pouring into the streets.
And then we get ‘balance.’
Israel, we learn, has claimed Gaza has ‘sufficient food and medicines’. It of course ought to be easy to verify which of the competing claims is valid, but that presumably would violate the ‘usual BBC standards of impartiality’. There is also a more mundane reason why the BBC won’t present its own findings, but it is tucked away in the very last paragraph of the article. Israel, we learn, ‘is refusing to let international journalists into Gaza’ including no doubt those of the BBC. The ethics of reporting would require that the BBC preface each of its reports with the disclaimer that it has no way of knowing what is going on in Gaza other than through the propaganda handouts of the Israeli military.
The final act of chicanery comes in the shape of a sidebar which lists the number of rockets fired by Palestinians for each day of the conflict. This is particularly odd in an article ostensibly about the consequences of the Israeli blockade and bombing, especially since no similar figures are produced for the number of bombs, missiles and artillery shells rained on the Gazans. The source the BBC uses is the Intelligence and Terrorism Information Center based in Israel. What it does not mention however is that the ‘private’ think tank is a conveyor belt for Israeli military propaganda which, according to the Washington Post, ‘has close ties with the country’s military leadership and maintains an office at the Defense Ministry.’ Any Palestinian claim on the other hand would not appear unless enclosed in quotation marks, even if independently verifiable.
The quotation marks are a useful distancing device deployed to show that the characterization may not be one shared by the BBC. This would be understandable if their application were consistent. It isn’t. To take one telling example, after the Lebanon war when both Israel and Hizbullah were accused by Amnesty International of war crimes only in the case of Israel did the BBC enclose the accusation in quotation marks (see screen grab below).
It is through these subtle – and not so subtle – manipulations of language that the BBC has shielded its audience from the ugly realities of Occupied Palestine. In the BBC’s reportage Palestinians ‘die’, Israelis are ‘killed’ (the latter implies agency, the former could have happened of natural causes); Palestinians ‘provoke’, Israelis ‘retaliate’; Palestinians make ‘claims’, Israelis declare. Schools, mosques, universities and police stations become ‘Hamas infrastructure’; militants ‘clash’ with F-16s and Apaches. ‘Terrorism’ is something Palestinians do, Israelis merely ‘defend’ themselves – invariably outside their borders. All debates, irrespective of fact or circumstance, are framed around Israel’s ‘security’. If the Apartheid wall is mentioned, it is in terms of its ‘effectiveness’. In the odd event that you have an articulate Palestinian voice represented, the debate is rigged with a set-up video that is meant to put them on the defensive. When all else fails, there is the reliable ‘both sides’ argument – if reality won’t accommodate the image of an even conflict, the BBC figures, language will.
Then there’s the framing: Israel’s violence is always analyzed in terms of its ‘objectives’; Palestinian violence is of necessity senseless. This is no doubt how it must appear to the average reader since the word ‘occupation’ rarely appears in the BBC’s coverage. It hasn’t appeared once in the last twenty stories on Gaza on its website. And if occupation is mentioned rarely, then the UN resolutions almost never. The picture is even worse on television, where the Israeli point of view predominates. For a telling illustration of all the failings highlighted thus far look no further than Mark Urban’s January 6 report on BBC’s Newsnight covering the massacre of more than 30 Palestinians, mostly children, taking refuge in a UN school compound. Not only are the circumstances of the refugees’ death as reported by the UN presented as one claim amongst others, the Israeli spokesman is allowed to present his version of the story without challenge. An Israeli parliamentarian is interviewed at length but the discussion is yet again framed around the state’s ‘security’ and ‘objectives’. While a UN representative is allowed a brief comment, the Palestinian side goes entirely unrepresented. The far more numerous dead Palestinians are treated as a mere number, Israel’s ‘fallen soldiers’ on the other hand are given, as it were, a proper burial, including an interview at the funeral with a relative who assures the audience that the national ‘resolution’ to ‘carry on’ is unbroken. Each dead Israeli, we are told, is ‘mourned by the loved ones’. Unlike, presumably, the Palestinians. We even meet the wounded. Urban however saves his vilest act for the conclusion: he describes the murder of the Palestinian innocent in terms of its ‘cost’ to Israel in ‘foregoing the opportunity to pursue their own national aims before a chorus of international criticism’.
While Matan Vilnai’s threat of a holocaust is consigned to the memory hole, the statement invented and attributed to the Iranian president about wiping Israel off the map is still in play. It is this double standard which also allowed the BBC to cover the story of a British Jew joining the Israeli military as a life interest story – which may not be entirely surprising considering the BBC’s man in Jerusalem, Tim Franks, is himself a graduate of Habonim Dror, a Zionist youth movement. It is this inhuman devaluation of Palestinian life that allowed the BBC at the peak of the criminal blockade in July 2007 to have two stories up on its website related to the occupied territories, both about animals – an eagle and a lioness.
While the BBC’s refusal to by-line its online reports makes it hard to trace stories back to individual journalists, a revealing glimpse of the editorial context in which they work was offered by an article in the Observer by the BBC’s Middle East editor Jeremy Bowen – a man whose modest analytical skills are matched only by his historical illiteracy. With the BBC workhorse – ‘both sides’ – woven into the very headline, Bowen piles inanity upon cliché, sedulously avoiding any contextual mention of the occupation. He is no doubt aware that the fragile narrative he has constructed, where the conflagration somehow begins with Hamas firing rockets, will disintegrate at the first mention of the Israeli military occupation. Bowen, who has been conveniently transported to Sderot – an Israeli PR ploy to ‘embed’ journalists within range of Hamas rockets in order to make them report with empathy – plays his part to the tee. On the other hand there is no mention of those at the receiving end of Israel’s lethal ordinance. He mentions civilian casualties only in the context of the ‘lot of bad publicity’ they get for Israel. On the basis of this evidence, he then concludes ‘it is probably fair to say that [Israel] does not hit every target it wants, otherwise many more would have died’. We then end with speculation on Israel’s possible objectives. Despite ‘both sides’, there is no similar scrutiny of Hamas’s objectives.
At a conference in London in 2004, a BBC journalist based in the Occupied Palestinian Territories told me that when it comes to Israel the editorial parameters are so narrow that journalists soon learn to adapt their stories in order not to upset the editors. And editors likewise know not to upset their government-appointed managers. Since the days of Lord Reith, the BBC-founder who assured the establishment to ‘trust [the BBC] not to be really impartial’, on foreign policy the corporation has acted as little more than the propaganda arm of the state (whatever independence it had once enjoyed evaporated with the purge carried out by Tony Blair in the wake of the Hutton Inquiry).
Contrary to the prevailing view in the US, where progressives don’t tire of comparing it favourably against US media, the BBC’s record of coverage in the Middle East is dismal. As media scholar David Miller revealed, during the Iraq war the representation of antiwar voices on the BBC was even lower than on its US counterparts. A Frankfurter Allgemeine Zeitung study found the corporation to have the lowest tolerance for dissent of the media in the five countries it analyzed. Looking back, one can’t but derive modest amusement from its frequently credulous reporting and its reporters’ often comically breathless enthusiasm for war. An unfolding historical tragedy was superseded on screen by a broadcasting farce. Just as its correspondent in Iraq was celebrating the fall of Baghdad as a ‘vindication’ of Blair, its man in Washington Matt Frei was throwing all caution to the wind to exult: ‘There is no doubt that the desire to bring good, to bring American values to the rest of the world, and especially now in the Middle East, is especially tied up with American military power.’
The BBC’s partiality in the case of the Israel-Palestine conflict is a mere reflection of the close affinity of successive British governments with Israel. Both Blair and his successor Gordon Brown have been members of the Israel lobby group Labour Friends of Israel. If the BBC is not impartial, then the UK government most certainly is not. And the BBC, as is its wont, merely reflects the latter’s tilt. This is blatant enough that, despite Israel lobby pressure, the BBC’s own Independent Panel concluded that its coverage of the Palestinian struggle was not ‘full and fair’ and that it presented an ‘incomplete and in that sense misleading picture’.
But the gap between the alternate reality that the BBC inhabits and the reality on the ground witnessed and relayed by independent media is so great today that it has compelled John Pilger to write:
‘For every BBC voice that strains to equate occupier with occupied, thief with victim, for every swarm of emails from the fanatics of Zion to those who invert the lies and describe the Israeli state’s commitment to the destruction of Palestine, the truth is more powerful now than ever.’
Obama Reportedly Set to Take Quick Action Toward Closing Guantanamo
Source: McClatchy Washington Bureau Publication date: 2009-01-12 WASHINGTON - President-elect Barack Obama will sign an executive order in his first week in office that sets in motion the closure of the Guantanamo Bay military prison, the highest-profile symbol of the Bush administration's detention policies, two individuals familiar with Obama's thinking said on Monday. They declined to say precisely when he'd sign the directive, but they said it could be within hours of his Jan. 20 inauguration. The order would set out the procedures for shutting the prison at the U.S. Navy base in Cuba, a process that's likely to take a considerable period of time, the two individuals said. Both spoke on the condition of anonymity because they weren't authorized to speak publicly. The process entails determining what to do with the estimated 250 suspected al-Qaida and Taliban militants housed at the prison, set up after the 2001 U.S. invasion of Afghanistan. The inmates include 15 "high-value" detainees, such as Khalid Sheikh Mohammed, who's accused in connection with the Sept. 11, 2001, attacks. Some 60 detainees have been cleared for release, but their governments have refused to accept them. In other instances, governments are refusing to imprison Guantanamo detainees when it is a condition for their repatriation. In the course of the closure process, the new administration also is likely to address the future of military tribunals - panels of military officers that the Bush administration created to try accused terrorists. Many legal experts, including in the military's own Judge Advocate General's Corps, have condemned the commissions, charging that their rules, which admit evidence obtained through coercion, violate U.S. civil and military legal principles. Brooke Anderson, a spokeswoman for the Obama transition team, declined to comment on whether Obama would sign an executive order next week to close Guantanamo. Obama, who taught constitutional law in Chicago before entering politics, pledged during the presidential campaign to shut the facility. He also objected to the use of the military tribunals, but he hasn't indicated how he'd replace them. "It is more difficult than I think a lot of people realize, and we are going to get it done," he said in an interview with ABC News that aired on Sunday. "But part of the challenge that you have is that you have got a bunch of folks that have been detained, many of whom may be very dangerous, who have not been put on trial or have not gone through some adjudication. And some of the evidence against them may be tainted, even though it's true." Asked if he'd close the facility within his first 100 days in office, Obama replied: "That is a challenge. I think it's going to take some time. But I don't want to be ambiguous about this. We are going to close Guantanamo and we are going to make sure that the procedures we set up are ones that abide by our Constitution." Defense Secretary Robert Gates, whom Obama is retaining, ordered the Pentagon last month to begin drawing up plans to shutter Guantanamo in anticipation that one of Obama's first acts would be ordering its closure. The facility has been central to charges by critics that the Bush administration authorized the use of interrogation procedures that amount to torture under U.S. and international law. The Senate Armed Service Committee last month blamed senior administration officials, including former Defense Secretary Donald H. Rumsfeld and retired Air Force Gen. Richard Myers, the former chairman of the Joint Chiefs of Staff, for the use of those techniques. The Bush administration insists that it has not allowed torture, and says that just a handful of U.S. service personnel were responsible for the abuses of detainees at Guantanamo, the Abu Ghraib prison in Iraq and at U.S. bases in Afghanistan. President George W. Bush and some of his senior aides, including Secretary of State Condoleezza Rice, now support closing the facility. However, Vice President Dick Cheney, a leading proponent of interrogation techniques such as waterboarding, which creates the sensation of drowning, has said the prison should be kept open. ___ (c) 2009, McClatchy-Tribune Information Services. |

